Nicolas Cage’simpressive 40-year-long career in films sees the Oscar-winning actor transitioning into a memorable movie icon. He has been spewing out enigmatic movie quotes that audiences around the globe have grown to love and habitually recite.
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The Unbearable Weight of Massive Talentsees the endearing star playing himself in a fictionalized setting, where he is recruited by the CIA as a secret agent when a billionaire playboy he becomes friends with is suspected to be behind a kidnapping. DirectorTom Gormicancertainly understands the long-withstanding appeal of Nicolas Cage or the mysterious allure of celebrity culture. But he’s not the only one.
‘Being John Malkovich’ (1999)
ScreenwriterCharlie Kaufmannever seems to disappoint audiences, especially with his first major breakthrough withBeing John Malkovich(1999). The surrealist satire film seesJohn Cusackplaying an unsuccessful puppeteer in a miserable marriage. One day, Cusack stumbles upon a hidden tunnel in his office that leads him into the mind of actorJohn Malkovich.
The 1999 film has an unorthodox premise imbued with identity diversions, involving Malkovich being exploited due to his sought-after profession that turns harrowing as the plot progresses. Who can forget the absurdity of seeing the renowned actor freaking out in a restaurant crowded with his clones, saying nothing but the word “Malkovich”?
‘JCVD’ (2008)
Action heroJean-Claude van Dammeplays a semi-fictionized version of himself, contemplating his life that has not only brought him fame and fortune but other problems. From his drug abuse to multiple failed marriages, the actor engages in one of the most surprising yet effective fourth-wall-breaking monologues as he addresses his failings.
The 2008 Belgian crime drama starts similar to Cage’s latest self-parody release. Still, it quickly turns grim with Van Damme’s involvement in a bank robbery and his shockingly truthful confession about himself.
‘Lost In Translation’ (2003)
A romance drama favored by lonely souls, many people might not realize that the critically acclaimed film is derived from directorSofia Coppola’sown experiences in Japan. The story follows a movie star who has lost his star power over the years and a young female college graduate, two Americans alienated in foreign Japan but simultaneously grew an unlikely bond amidst a radically different culture.
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While fading film star Bob Harris could parallelBill Murray’sdissatisfied state about his career, Coppola can be found inScarlett Johansson’scharacter,mainly when the latter’s strained relationshipin the film corresponds to the director’s rocky marriage with then-husbandSpike Jonze.
‘Purple Rain’ (1984)
Purple Rainstars one of the greatest musical artists,Prince, a legend known for his songwriting skills, comprehensive musicianship, impressive vocal, and androgynous persona. In his first acting debut. Prince plays The Kid, the frontman of Minneapolis-based band, The Revolution. The film navigates around The Kid’s dysfunctional home life and tumultuous romantic pursuits, leading to his extraordinary creative contributions to music.
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One of the best musical films of all time, the semi-biographical film features a fantastic soundtrack with decade-defining classics like “When The Doves Cry,” “Let’s Go Crazy,” and “Purple Rain.”
‘8 Mile’ (2008)
Featuring the first rap song to ever win the Academy Award for Best Original Song,8 Milesurmounts Eminem’s status as one of the most celebrated rappers of all time. Like Prince’sPurple Rain,8 Miletakes references from elements of Eminem’s professional and personal life.
It delineates the rapper’s initial struggle to establish himself in the hip-hop community as a White artist breaking into a predominately Black music scene. Aside from the high-energy flow from rap battle to rap battle, the film’s not afraid to show off the rapper’s vulnerable side in the face of his much younger sister and complicated relationship with his mother.
‘Kikujiro’ (1999)
Western audiences may knowTakeshi Kitanobest for his violentyakuzaroles in nihilistic cinematic pieces such asSonatine(1993) andBrother(2000).The Japanese film auteurlets audiences peek into his tender side with his 1999 road drama filmKikujiro(1999).
The title and the role of the uncle, Kikujiro,is the name of Kitano’s step-father in real life. A painter and alcoholic, Kitano recalls his fond memories when he was a child, as he bonds with his step-father by visiting the sea. Kitano’s childhood is incorporated into the 1999 film about Kikujiro helping a young kid find his estranged mother, filling in their summer with memories of finding comfort in the mundane despite the frequent disappointments in life.
‘Before Sunrise’ (1995)
Before venturing intoone of the best trilogiescinema has ever presented, audiences ofBefore Sunrisewitness love germinating between Jesse (Ethan Hawke) and Celine (Julie Delpy). They are two strangers who met on a Eurail train and decided on a whim to get off at Vienna as they explore themes of self-discovery and male-female courtship.
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The central premise for the romance drama originates from directorRichard Linklater’sown experiences with a young woman named Amy Lehrhaupt, engaging in deep conversations while walking around the city of Philadelphia. Sadly, Lehrhaupt passed away from a motorcycle accident before the movie was released.
‘Space Jam’ (1996)
One of the few movies both kids and adults will enjoy,Space Jamrepresents the best of both worlds encapsulated in a single film. On the one hand, NBA legendMichael Jordanplays a fictionalized caricature of himself during his brief retirement period from his basketball career in the mid-1990s. On the other hand, Looney Tunes fans are ecstatic to see the maniacal cartoon characters exchanging playing techniques with Jordan as they endeavor to save themselves from being enslaved by aliens.
And as excellent asMichael B.Jordan’scameo was in the sequel, the arrival of comedy maverick Bill Murray as himself in the first installment is more gratifying and can catch more laughs.
‘Pink Floyd — The Wall’ (1982)
Stemming from Pink Floyd’s co-founderRoger Waters' discontentment with music executives and increased alienation from fans, the film features a minimalist plot and little dialogue, primarily driven by the progressive rock band’s eleventh studio album titledThe Wall.
It explores Waters’s loneliness and struggles to make peace with his father’s death in World War II, resulting in the leading character, Pink (Bob Geldof), emotionally erecting a protective barrier around himself. Vivid demonstrations of teenage angst and adult cynicism are illustrated through the film’s impressive, fluid animation and striking imagery.
‘I’m Still Here’ (2010)
Before the release ofI’m Still Here(2010), everyone was baffled by actor Joaquin Phoenix when he suddenly announced his retirement from acting to pursue his music career. From bizarre public appearances on theLetterman Showto a drastic change of physical look, TheJokerstar finally answered everyone’s questions when the mockumentary was released during the67th Venice International Film Festivalin 2010.
As a sarcastic commentary on celebrity culture and consumerism, the film intends to tackle the idea of reality TV being scripted despite its self-explanatory title. However, audiences are still treated with glimpses of the notoriously private actor’s life and mindset.
